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eaterofclowns

eaterofclowns@lemmy.world
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I’m partial to the 1960s. David Lean did Lawrence of Arabia and Doctor Zhivago. Kubrick had Dr Strangelove and 2001. Hitchcock put out Psycho, Kurosawa did Yojimbo. Cool Hand Luke, Sergio Leone’s Dollars Trilogy.

Cinema was really ambitious and huge in scope, and directors with an eye for photography were doing some incredible, slow, lingering shots.

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Seeing Jason Mendoza from Jacksonville Florida did that for me. He probably ended up on Coruscant after doing whippits and didn’t want to come clean because he thought he’d get in trouble.

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It was Mick Foley making fun of The Rock, which was way more fun for me.

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You have identified the word within the box. Glory unto your house!

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Over the years visiting different museums and galleries I would grab a postcard from the shop of a piece I’d seen that day that spoke to me and frame it on my office wall. Ended up with a diverse little collection of art I enjoyed. Sometimes people would come in and see something they liked that they’d never heard about before and I could talk to them about it. It beat spending the time in spreadsheets.

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The only thing I can think of is that the jar he uses is very close to the diameter of the immersion blender, which restricts the oil incorporation into the emulsion. If you’re using a wider jar it might be allowing too much oil to flow in at once and breaking the emulsion?

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I have no idea what that trailer was about, so that tracks with FromSoft, and I love them for it, and I will be playing this. Probably after another base game playthrough

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This is actually a really good analysis of what makes a lot of these movies great!

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Deserving. There’s a lot to be said about making way for new animation talent but Miyazaki put out one of his greatest movies with this one. It’s beautiful and moving and I had to pee the entire time I saw it and didn’t want to get up and miss anything

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