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souma

souma@lemmy.world
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Definitely not that, those are worse for you

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For me it was networking via Facebook and supporting the labels who released the music I enjoyed. It doesn’t go unnoticed. But for larger labels, I think it’s about submitting good work consistently, even if the first few are rejected.

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Honestly traffic laws should still be enforced for those situations. Cars can’t just sit in the lane or intersection, so either pull into the parking lot or drive on

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How do you even get past act 1 in 10 minutes? I feel like even the time for dialogue to show up would take more than that

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African or European swallow?

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That’s so kind of you to say! Thank you

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It’s not for everyone, but I hope you enjoy!

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Sadly the scene for this subgenre isn’t exactly big enough for touring and shows (yet, fingers crossed!). But yes, I finish my mix and send it in for them to handle mastering, artwork, distribution, and marketing within their own channels. They will provide the marketing packet with artwork, etc. a week or two before release so I can share on my own artist pages as well :)

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