I’ve always loved the Harmy version but recently I watched 4K77 without noise reduction. My god… so much grain!
I loooved the grain. It made me feel like I was a kid again watching it for the first time in the theatre.
In hindsight, all of media used to have this “meh, close enough” attitude about it: Vinyl LPs, audiotape, broadcast TV, film, iffy projectors at the local theater, AM radio, it all had limitations well within the range of human perception. Plus, everything the consumer got was a lossy copy of something else. Everything had noise, and everything cost some amount of fidelity no matter what you did. In light of this, “authenticity” is really a No True Scotsman argument, where we argue forever about intent, the optimal fidelity for the time, and what one would have experienced.
Come to think of it, an easy approximation for a time machine is to buy some aviator frames, smear some Vasaline on the lenses, and stuff your ears with some cotton.
In light of this, “authenticity” is really a No True Scotsman argument,
4k77 isn’t a no true Scotsman because it is a scan of a print that was played in theaters. If you digitally scanned a photo of the Mona Lisa, it would be a more authentic copy than a Photoshopped version that removed the brush strokes and replaced the blurred background with new high detailed images.
smear some Vasaline on the lenses, and stuff your ears with some cotton.
Had you watched movies in theaters before 2013? Film projectors were fine. The sound quality was fine. A movie filmed and projected in 35mm film was higher quality than the 1080p digital version of Phantom that was in theaters in 1999.
