Guess what though? That’s literally all of history, dodgy AF, featuring an intrepid cast of characters more awful the deeper you look. That doesn’t make the art or music worth writing off though.

Not at all, but as an accurate representation of who felt what? Yeah it’s not the best source. Music is also specifically less so, because it’s too abstract to really be propagandistic apart from the vague aesthetic of grandiosity.

“Earnest” is definitely not the word you’re looking for.

It very much is, actually.

Earnest [adjective] - resulting from or showing sincere and intense conviction.

A sincere intense conviction in gathering a generic dataset representative of the very broad concept of “images” in order to be the source from which future researchers can train a diffuser model as a proof of concept, to create patterns represented in those images out of randomised noise, driven by scientific pursuit and uncontaminated with the subjectivity of artistic taste is about as fitting for “earnest” as can be.

Remember, I wasn’t talking about only the outputs of any given model, but the dataset itself.

Derivative, maybe, because you said it yourself, they’re reflections; and as such, they’re going to reflect what images of today are; like you said.

Yeah, the outputs definitely are, but derivative of an earnest representation of us. That makes it an interesting and unbiased account of what our images really are like.

It’s interesting to go on SD and consider an idea, a concept, and what image it conjures in your head, then proompt and see what kind of images it conjures from the model. The difference is the difference in bias. It’s an interesting reality check.

That makes them derivative

So is most human works. If anything, the randomness of noise, even by processor’s famously incapable of any such thing, is going to be far more unpredictable than the copying done by humans.

In itself though I don’t think that inherently makes either less valuable, all originality only exists as both an evolution of and in contrast to the established and accepted, and that is achieved by derivative works, perhaps even creating a genre.

If anything, part of the problem is that AI art is too original, sometimes inventing 6 fingers, or 7, the form is broken, and the idea of any image no longer resonates.

and I feel a vast artificiality that makes my heart sink when I look at the vast majority of them.

Personally I don’t. I don’t think there’s anything that makes them any more artificial than any human work.

Ultimately all are a human vision - an image generator is just a lot of fancy matrices in a file without human input, neither it nor Photoshop can make everything by themselves.

All are ultimately .jpegs, products not of some singular vision but also of the tools developed and available to the human, all are concepts so far removed from nature, labeling one artificial but not the other is splitting hairs on a head freshly and cleanly shaved by a precision engineered mass manufactured machine shipped half-way across the world in system so complex most people don’t understand it.

Choosing machine-created art over historical art is choosing a passing fad over centuries of culture.

Oh come on now. You can hate AI without resorting to delusion or ignorance.

Not only is AI art on the rise, but even a year or two ago the tools for generating images were good enough that it’s already seeing noticeable widespread use, including in the physical world. And that’s not even touching on the strides and accomplishments in the LLM space.

It’s your right; but to write off history with a wave of the hand means you’re missing out on truly expanding your horizons.

I’m not writing anything off as is hopefully evident by my writing here, it’s moreso that the value of it as I see it is perhaps overestimated by yourself.