OpenAI now tries to hide that ChatGPT was trained on copyrighted books, including J.K. Rowling’s Harry Potter series::A new research paper laid out ways in which AI developers should try and avoid showing LLMs have been trained on copyrighted material.

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2 points

If you sample someone else’s music and turn around and try to sell it, without first asking permission from the original artist, that’s copyright infringement.

So, if the same rules apply, as your post suggests, OpenAI is also infringing on copyright.

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32 points

If you sample someone else’s music and turn around and try to sell it, without first asking permission from the original artist, that’s copyright infringement.

I think you completely and thoroughly do not understand what I’m saying or why I’m saying it. No where did I suggest that I do not understand modern copyright. I’m saying I’m questioning my belief in this extreme interpretation of copyright which is represented by exactly what you just parroted. That this interpretation is both functionally and materially unworkable, but also antithetical to a reasonable understanding of how ideas and communication work.

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5 points

Because in practical terms, writers and artists’ livelihoods are being threatened by AIs who were trained on their work without their consent or compensation. Ultimately the only valid justification for copyright is to enable the career of professional creators who contribute to our culture. We knew how ideas and communication worked when copyright was first created. That is why it’s a limited time protection, a compromise.

All the philosophical arguments about the nature of ideas and learning, and how much a machine may be like a person don’t change that if anyone dedicates years of their efforts to develop their skills only to be undercut by an AI who was trained on their own works, is an incredibly shitty position to be in.

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4 points

All the philosophical arguments about the nature of ideas and learning, and how much a machine may be like a person don’t change that if anyone dedicates years of their efforts to develop their skills only to be undercut by an AI who was trained on their own works, is an incredibly shitty position to be in.

So should Dread Zeplin be hauled off to jail because they created derivative works without permission? I mean maybe they should, but not for copyright imo. How about the fan Star Wars movies getting their balls sued off by Disney?

writers and artists’ livelihoods are being threatened by AIs who were trained on their work without their consent or compensation

Guess what? The actual copyright owners of the world; those who own tens of thousands or millions of copyrighted works, will be the precise individuals paying for and developing that kind of automation, and in the current legal interpretation of copyright, its their property to do so with. This outrage masturbation the internet is engaged in ignores the current reality of copyright, that its not small makers and artists benefiting from it but billion dollar multinational corporations benefiting from it.

This is a philosophical argument and an important one: Should we legally constrain the flow and use of ideas because an individuals right to extract profit from an idea.

I don’t think so.

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3 points

That’s actually not what copyright is for. Copyright was made to enhance the public culture by promoting the creation of art.

If these record label types impede public culture then they are antithetical to copyright

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-2 points
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3 points

That’s life under capitalism.

I agree with you in essence (I’ve put a lot of time into a free software game).

However, people are entitled to the fruits of their labor, and until we learn to leave capitalism behind artists have to protect their work to survive. To eat. To feed their kids. And pay their rent.

Unless OpenAi is planning to pay out royalties to everyone they stole from, what their doing is illegal and immoral under our current, capitalist paradigm.

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-2 points

Yeah, this is definitely leaning a little too “People shouldn’t pump their own gas because gas attendants need to eat, feed their kids, pay rent” for me.

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3 points
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A sample is a fundamental part of a song’s output, not just its input. If LLMs are changing the input’s work to a high enough degree is it not protected as a transformative work?

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-3 points
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it’s more like a collage of everyone’s words. it doesn’t make anything creative because ot doesn’t have a body or life or real social inputs you could say. basically it’s just rearranging other people’s words.

A song that’s nothing but samples. but so many samples it hides that fact. this is my view anyway.

and only a handful of people are getting rich of the outputs.

if we were in some kinda post capitalism economy or if we had UBI it wouldn’t bother me really. it’s not the artists ego I’m sticking up for, but their livelihood

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