I think this is a good take, but my criticism of Disney is more in line with my perception of their business model - art by focus group.

They know that if they combine these 3 IP’s with these 3 diversity checkboxes, the movie will return x, meaning they have a budget of y to deliver a given ROI. Much like their endless parade of remakes, it’s cynical commercislism that has no interest in storytelling artistic value, or representation - and it shows.

To your point, TLOU separated the relationship from the community, and while the community representation is important, this type of representation is critical to normalising homosexual relationships - “oh - they’re in a regular loving relationship just like me - it’s not all disco music and flapping about in sparkly clothes, making catty comments.” kinda deal.