Leaked emails show organizers of the prestigious Hugo Awards vetted writers’ work and comments with regard to China, where last year’s awards were held.
Organizers of the Hugo Awards, one of the most prominent literary awards in science fiction, excluded multiple authors from shortlists last year over concerns their work or public comments could be offensive to China, leaked emails show.
Questions had been raised as to why writers including Neil Gaiman, R.F. Kuang, Xiran Jay Zhao and Paul Weimer had been deemed ineligible as finalists despite earning enough votes according to information published last month by awards organizers. Emails released this week revealed that they were concerned about how some authors might be perceived in China, where the Hugo Awards were held last year for the first time.
Wow, what a great argument to never host anything in China, ever.
These events keep getting held in places like China and Saudi Arabia, where the organizers know they are going to have to make major concessions to those governments, because the organizers care far more about money than they do the event. At least that’s my theory.
It’s a better argument to not trust the awards admin with anything from now in, given that they did that independently and removed a ton of Chinese authors from the ballots.
This isn’t the first time the Hugo has been subject to controversy, about a decade ago most of the awards went to “no award” and the nominees got “asterisk awards” because a group openly coordinated to nominate a slate of works (which they claimed others were doing less publicly in the past). The voting rules were changed over this one.
What the fuck, Hugo? Why hold it in a country that has no human rights?
The Hugos have always been a clusterfuck. Explaining all the nuance is beyond a single comment (I can’t even find a good writeup) but it boils down to the voting committee largely being opt/buy-in. If you buy a membership to the World Science Fiction Society, you get to vote on where WorldCon will be held which means you are voting on where The Hugos will be held. You ALSO get to vote in the Hugos themselves
Yes, that sounds really shitty but it is also why the Hugos are a lot more prestigious than a Goodreads award. People need to give enough of a shit which, historically, has resulted in more people who actually have read multiple entrants.
Of course, a couple years back we had the “sad puppies” incident where a bunch of racist incels basically voted as a bloc to shut down people of color and non CISHET male voices.
And… a lot of signs point toward “China” having gamed the system again. Whether that is a focused effort by the CCP or just passionate Chinese SFF fans is up for debate*.
As for excluding authors? I very much assume that is just a function of operating in China. The CCP cracking down on the event would not end well for anyone involved.
Personally? I think this is yet another indication that the Hugos, like most “old guard” SFF, can fuck off. It was just a few years back that George R R Martin rambled and talked about the good old days while butchering every single “ethnic” name on the ballot. I think the issue of “who gets to vote” is still a major issue but I also think there is absolutely zero reason that an event about celebrating forward thinking should restrict itself to an in-person gala. That shit should be going above and beyond vtubers and focusing on new voices who might have a day job because being “a full time author” is increasingly impossible for any newbies.
*: Because China actually has a ridiculously strong SFF community. In large part because there are authors who are very much pushing the boundaries of what they can and can’t say to actually tell interesting and thought provoking stories in the way SFF has always been able to.
Decent writeup by Charles Stross:
https://www.antipope.org/charlie/blog-static/2024/01/worldcon-in-the-news.html
The mode of operation of WorldCon/the Hugos seems interesting as in “May you live in interesting times”
Edit: fixed auto-co-wrecked spelling of Charles Stross
Indeed. Quite decent.
See, Chinese fandom is relatively isolated from western fandom. And the convention committee didn’t realize that there was this thing called the WSFS Constitution which set out rules for stuff they had to do. I gather they didn’t even realize they were responsible for organizing the nomination and voting process for the Hugo awards, commissioning the award design, and organizing an awards ceremony, until about 12 months before the convention (which is short notice for two rounds of voting. commissioning a competition between artists to design the Hugo award base for that year, and so on). So everything ran months too late, and they had to delay the convention, and most of the students who’d pitched in to buy those bids could no longer attend because of bad timing, and worse … they began picking up an international buzz, which in turn drew the attention of the local Communist Party, in the middle of the authoritarian clamp-down that’s been intensifying for the past couple of years. (Remember, it takes a decade to organize a successful worldcon from initial team-building to running the event. And who imagined our existing world of 2023 back in 2013?)
The organizers appear to have panicked.
Weird that the Hugos wouldn’t have excluded John Ringo and crew for being literal fascists, unless they open their slackened jaws for… Not even criticizing China? Depicting mecha Wu Zetian?
ringo and the sad puppies were only “acknowledged” because of the mass backlash. Otherwise, it was business as usual.
That is why I think the issue is less the works and more the venue. Because having a racist piece of shit present is one thing. People get mad. They move on because they need the blurb to get another printing from their publisher. But if the CCP gets angry? People start disappearing faster than Jack Ma.
I did not know any of that. I always just figured Hugo award books would at least be good, and that was about as far as my thinking went.
I mean, they almost always are. You just have to understand that, much like with the Oscars (?), it is the SFF (mostly SFF writers) community voting on themselves. And, memes aside, good movies usually win at the Oscars. Sure they favor period pieces and character studies but those are generally well acted and directed. They may just not be “entertaining” to the masses.
That said, ever since Martin decided he should talk about how great a bunch of transphobes and racists were while butchering the names of up and coming authors because he couldn’t be bothered to read a pronunciation guide, a lot of great authors have started doing their own “awards” blog posts. Which are always nice.
What’s some good “new guard” SF you’d recommend? I don’t read much anymore but I randomly stumbled upon and really enjoyed Megan O’Keefe’s Protectorate trilogy which is a typical space opera but with a female protagonist and openly queer characters and a couple interesting twists (unlike the Three Body Problem whose plot was as pretentious as it was bland and did not live up to even a hundredth the hype but I digress).
The ironic thing about parent comment is that for as much as it bashes the Hugos for being part of the “old guard,” they’ve actually been very good about surfacing and including queer- and minority- centric stories and works by authors with identities that have historically been excluded from the discussion. Arkady Martine won Best Novel in 2020 and 2022 with two entries in a series featuring a lesbian main character, with imperialism’s effects on those who are colonized as a major driver of the plot. Between 2016 and 2018 N.K. Jemisin swept the Best Novel award for successive entries of her Broken Earth trilogy, which revolved around themes of racism, environmental cataclysm, and slavery. The year before that the winner of Best Novel was Cixin Liu’s Three Body Problem which was the first time a work originally published in Chinese won, and then the year before that Ann Leckie’s Ancillary Justice won, which created a massive uproar amongst the more reactionary types in SF fandom for positing a civilization where the only recognized gender was female (this is super unfair to the book, through, because there’s so much more going on thematically beyond that one small world-building choice!).
In fact, the way that the Hugo voting has swung noticeably towards exploring issues of imperialism, colonialism, and identity is what prompted the Sad Puppies campaign that OP mentions. What he doesn’t mention is that the Hugo voters overwhelmingly rejected that campaign, and the organization made changes to prevent any future attempts. That part of what makes what happened with the 2023 Hugos so surprising and appalling – it’s completely out of character with the recent history of the awards and the organization to meekly knuckle under and self-censor for fear of angering Chinese authorities, when it’s been so bold in standing up to outside influences so recently. I expect that steps will be taken to prevent a repeat occurrence.
Same way Jeremy Corbyn became leader of the labor party: Only those with paid memberships can vote on stuff (e.g. where the awards will be presented in the future). China paid for enough new memberships to flood the vote with people that voted to hold it in China.
Weird comparison. I don’t think the least Tory-lite leader of the Labour Party in the last 30 years was voted in as a Chinese conspiracy, as you are implying.
No, China didn’t have anything to do with Corbyn. Just, right before he took control of the party, the party leaders tried to vote him out. There are over 10 million labor voters, but at the time there were only 100,000 paid labor memberships, who were responsible for voting in the party leader. Corbyn got 50,000 (out of the 10 million) new paying members on the rolls and went over night from being on the edge of being expelled to becoming the party leader.
Same thing happened here: a very large group (all scifi readers) assuming that paying members would have ideals proportional to the larger group - but that smaller group can be manipulated through a large influx of single issue voters.
Oh man, how long before China has enough global power to censor what we watch in American cinema/TV? Or are we already at that point??? 😱
We kind of are? Although, it is mostly at the same level the US has been. Mainstream movies aren’t going to have things that will anger significant markets. Similarly, a decent number of the long living live service games have “china” versions that do stuff like get rid of skeletons and so forth.
It is obviously speculation, but a LOT of what went wrong with Rise of Skywalker has strong hints of being about the Chinese market.
- Even the people who hated TLJ with every fiber of their being kind of noticed that Rose Tico almost completely disappeared. And… part of that is speculated to be because Kelly Marie Tran was getting a lot of traction due to the constant bigotry and hatred thrown at her for being asian in a “white” franchise. Except… she is ethnically Vietnamese.
- The force ghosts don’t have their blue tint which is speculated to be about making it less obvious they are spirits/ghosts
- TLJ literally ended with “Our elders fucked up and the world is possibly a worse place than it was before The War. But now we are rallying behind a former slave, a scoundrel, and some homeless chick all while force powers are being spread among the proletariat”. ROS IMMEDIATELY retconned all that to “The slave is a goober who belongs with his own people and that homeless chick has a direct connection to the ruling class. Also, the real heroes are our ancestors”.
Which… again, kind of mirrors how the US and its holy concepts are treated. Take a look at mainstream action movies from basically the 70s to the 10s. The enemy might be a rogue general or CIA operative but you’ll have a heroic US soldier/marine around to counter that out and show that the vast majority of the military are good people (and we still see the impact of that with people trying to reconcile the US military waiting to see how Jan 6 would shake out…). Same with how Democracy is good and amazing and only ever fails because of outright fraud rather than gerrymandering and stupidity/bigotry.
Just… the main difference is that you can still watch a movie about a squad of US Marines raping and murdering their way through a warzone in the US. Whereas that gets outright banned in China and can lead to a visit to the reeducation camps if the creator lives in China.
I don’t even know where to start with this it’s so nonsensical. Sure there are rights in China but to compare it favourably to the US smells so bad I find it hard to believe anyone could genuinely believe it.
I’ve spent about 6 months in both countries over the course of my life (I’m old) and China is far, far more oppressed than the US. The population there are entirely cowed, can’t express themselves freely on social media, until recently couldn’t even decide the number of children they could have, can’t protest in numbers, can’t send end to end encrypted messages, can’t access the full internet, can’t use a VPN without risk of being prosecuted and on and on and on.
Sure the US has it’s flaws but trying to say China is doing better from a rights perspective is just bananas.
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Freedom of Speech and Expression
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Freedom of Press
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Freedom of Religion
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Right to Peaceful Assembly
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Right to Fair Trial
Aren’t all of these rights quite a lot weaker in China? None of this is a problem of course if you keep your head down or be a bootlicker, but not having to lick boots is pretty much the motivation for human rights.
You can say “death” on youtube videos in the U.S. … Please find a popular bilibili video uses 死 (actual character for “death”) in the subtitle, instead of 亖 (pronouned the same, but means “four”).
U.S. definitely is not a country that respects basic human rights, but at least they don’t need repos like these to speak on the internet: https://github.com/houbb/sensitive-word/ . You can find the sensitive words here: https://raw.githubusercontent.com/houbb/sensitive-word/master/src/main/resources/dict.txt
Most of these are sexual words, but it is not hard to see that basically everything related to politics is a sensitive word, including names of politicians, current or past; political organization, position no matter they are pro or anti CCP; and political events, anywhere from massacre, protest, to just congressional meetings.
Many other words related to human right and economics. For example, words like 中国孤儿院 (chinese orphanage), 中国民主 (Chinese democracy), 中国特色 (Chinese specialty), 中国石油腰斩 (Chinese oil stock lowered 50%), 你乃人民 (you are the people) and many many more.
YouTube censors thousands of words, including ones relating to death, so that may not be the best point of comparison.
And before you say, “they don’t censor them they just demonetize them!” that’s functionally the same thing in a capitalist society.
Censorship is more than just outright deletion, suppression and control can also be censorship. You lack a lot of freedom of speech in both platforms, it just plays out differently.
(Also YouTube does outright delete a lot of content for pretty suspicious reasons so don’t get too excited even then.)
Fuck China and their censorship, the Hugos should be ashamed to bow down to it. Literally the genre that calls their nonsense out.
Fwiw, this is not a case of China stepping in and censoring anything about the awards. Rather, it’s a case of the Hugo administration in the West self-censoring their nominees because they feared China might step in if they didn’t get ahead of the curve.
Of course, that doesn’t really change the situation, but we shouldnt get the story twisted here. The blame falls on the administrators who were so afraid of a threat that they imagined that they caved to non-existent demands, rather than the Chinese (at least for direct fault, since you could argue the Chinese government’s policies indirectly led to this situation and I wouldn’t fight you on that).
How do we know that? It might well have been part of the agreement to host the awards, a direct or indirect request not to allow certain authors, books, or topics deemed offensive to the CCP.
Feel free to read the whole thing. It doesn’t take long. If you prefer primary sources, the work-product they refer to is linked within the report. The conclusions the authors draw seems sound based on the evidence. Sure it’s possible that the CCP meddled “off-the-record”, but to assume that in contrast to what the evidence states seems like hunting for a Boogeyman to confirm our prejudices.
Fwiw, this is not a case of China stepping in and censoring anything about the awards. Rather, it’s a case of the Hugo administration in the West self-censoring their nominees because they feared China might step in if they didn’t get ahead of the curve.
You’re making an assumption that verbal conversations, ‘off the record’, didn’t happened beforehand.
China didn’t have anything to do with it. They censored books that were already translated and selling in china, and Chinese authors.
China = Censorship.
It’s impossible to believe that a pro-China author might have been censored at a western organized and operated media event. There’s no way that a wildly popular domestically written and published and Galaxy Award winning sci-fi novel “We Live In Nanjing” got left off the list because it was too pro-China!
No. If novels and authors were excluded from the list - if R. F. Kuang and Jiang Bo didn’t make the list - it must be due to the villainous Chinese censors doing Evil China Stuff, and not a bunch of elderly Euro-Americans felt like trimming the pool back to an almost exclusively western and white author pool.
Way to lose all credibility in one event
I mean, that depends.
There was a campaign from 2013 to 2017 by rightwingers to game the Hugos by buying non-attending memberships to worldcon and nominating works they deemed to be sufficiently non-woke. Thing is, there’s one nominee they couldn’t game: “none of these.”
So most of the time where the only nominees were gamed, membership voted that there was to be no award in that category that year. The exceptions were authors that likely would have been nominated anyway due to name recognition, like Neil Gaiman.
The award can maintain its integrity despite the committee’s lack thereof if Worldcon members vote for no award to be given in the categories leadership fucked with.
That’s a great example and entirely valid.
On the flip side though I can’t imagine many countries where awards would be vetted simply because it might upset the host. It’s a terrible idea IMO and does take away from whoever actually won this year. They’ll be left to question whether they won fairly because a competitor was excluded for China’s benefit.
I think this specific example does damage the integrity of the awards.
I really used to think highly of the Hugo Awards. Now I just see them as an empty scheme to make rich people richer. The Hugo awards should not be taken seriously at this point.
No awards should if they’re connected to industry insiders.
I’m legitimately flabbergasted every single year by the sheer number of people who think shit like the Oscars or the Emmy’s mean anything given the degree of bullshit that goes on behind the scenes, and some of it out in the open.
They’re industry circle jerks for marketing and giving favors to friends. It’s insane we give them any credit at all. But if the Game Awards have proven anything, it’s that the only thing you need to make an award show “legitimate” is a lot of money to market it enough year after year.
It’s amazing how often people are told, en masse, to like something or give it credence simply because it’s being marketed as something that they should like or trust, and they just sort of go along with it. Of course, if it didn’t work, the advertising/marketing industry wouldn’t be as big as it is…
