Andonno
I’m actually not making a comment about how the characters in the work view themselves at all. The entire premise of the genre is the “Great Man” view of history. That certain people, through ability or ambition, stand above others and define society by their actions. The difference between superheroes and villians isn’t self-image (which is frankly irrelevant) but that villians want to use their “greatness” to change things, while heroes want to maintain them.
Certain people are inherently superior to the common masses, who are powerless before the conflicts between these great men.
woke
Yog-Sothoth is the gate. Yog-Sothoth is the key. Yog-Sothoth is the threshold.
Past, present, future. All are one in Yog-Sothoth.
We are not lewd!
She Who Thirsts and the Dark Kin: Silence, prude. You do not speak for us.
THE SUN. THE SUN. THE SUN. THE SUN. THE SUN. THE SUN. THE SUN. THE SUN. THE SUN. THE SUN. THE SUN. THE SUN. THE SUN. THE SUN. THE SUN. THE SUN.
Curze and Corax are completely and utterly done with your shenanigans.
Like you never forgot a platoon in a foreign country.
Fortunately my military assets are few enough that I can keep track of all of them at all times.
Unfortunately, this does limit my ability to project force on the international stage.
“You need to paint the King of Beasts.”
Paints a perpetually confused inbred.
“…I’m going to allow this.”