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pixelscript

pixelscript@lemm.ee
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An analog clock is just three sets of loading bars with their ends glued together. You can tell geometrically what proportion of each division of time (day, hour, and minute) are spent and what proportion remains. You don’t even need the numbers.

If you need stopwatch-level precision, sure, a digital display is superior. But how often do you need that? Most of what I need clocks for is, “Oh, it’s about a quarter to noon, I have a lunch appointment to get to”.

It is my personal preference to visually intuit that the clock hands are roughly separating the hour into 3/4 spent and 1/4 remaining and use that to know how much time I have left to the hour, rather than read the symbols “42” on the display and manually do the mental gymnastics of “well that’s basically 45, which is three quarters of the way to 60 minutes”.

I’ll admit this benefit is marginal.

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One of my Dutch friends explained to me that many of Dutch’s darker swear words and related expressions tend to be derived from ruinous diseases. One of them roughly translating to something akin to, “I hope you catch the plague”. Can you corroborate that?

It was part of a greater discussion about the roots of cultural differences. The Netherlands have a much more persistent memory of the era of plague and thus their taboos derive from it. Here in the US, less so.

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I thought that actually was the joke of this stunt, and he was being sarcastic. Was that not it?

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[aggressive ruler-slapping in the distance]

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I just reset my password with Southwest Airlines today. They had both the stupid 16 character limit and the stupid list of permitted special characters. But they also had the perplexing criterion that the first character of the password specifically couldn’t be one of those permitted special characters.

Literally why.

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I’m not saying it was a soft rule where the form refused to validate my input. It was an actual, fully-described rule in the bulleted list among the other rules. For whatever reason they specifically went out of their way to enforce it. And I cannot fathom why they would.

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For me, multimedia is a non-negotiable part of the web experience.

Yes, I get as annoyed as the next guy when I want, say, a simple tutorial written in a couple paragraphs, but the only ones anyone seem to want to make are eight minute long videos filled with fluff. That sucks. But purposefully excluding it from your protocol because it burned you a fee times is a gross overcorrection in my view.

I appreciate the Gemini project, I respect its goals, and I am happy that it meets the needs of several people such as yourself. But for me, and I think for a great majority of people who would be potentially interested in its broader goal of simplifying the web but are dealbroken by lack of multimedia capabilities, Gemini will never be anything more than a toy. A quirky little curiosity that will never expand beyond a tiny clique of people who accept Gemini for what it is and are content to only ever see content from that same small pool of people.

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Live in the midwest and I’ve never seen one.

Minneapolis/St. Paul might have one I’ve just never encountered. They for sure have express lanes, which themselves are a feature I have only ever seen there and no where else in the surrounding region.

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Kind of a lame example that depending on who you are may make you go, “Uhh… yeah? Duh?” but…

Y’know how Hollywood has been using the same library of stock sounds for like half a century? Wilhelm scream tier stuff? Like, if I had a nickel for every time I’ve heard one of those stock baby noises, or that ape screeching, you know the ones, I’d have a good chunk of change by now.

And if you ever encounter real world examples of some of these things, they never sound quite like those recordings. This is in large part because Hollywood loves pairing sounds of specific creatures or objects with footage of completely different creatures or objects that in reality sound nothing like that (e.g. no, bald eagles do not make that noise at all). So these sounds become reified in your head as “the sounds fake shit in movies make”. The acoustic equivalent of what fruit flavored candies are to actual fruits. Does that make sense?

All this to say, it’s really disorienting when you encounter things in the real world that actually make these noises. Particularly if you aren’t regularly used to being around them.

For me in particular, it’s roosters and horses. My mind is conditioned to assume that the stock noises for these creatures I hear in films and the like are, I dunno, extremely cherry-picked noises from some specific breed or species of the animal that aren’t the ones I’d commonly find around me. Not the case! They really do sound like that! To a spookily accurate degree, too. Being around them feels like someone is pranking me with a soundboard, I almost can’t believe it’s real.

It’s a bit depressing that sound design of film has disillusioned me to the point I’m shocked to hear that roosters in real life actually sound like roosters in movies and on TV, but nonetheless here we are.

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Hawaii is exactly the place that made me write this comment.

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