The ability to change features, prices, and availability of things you’ve already paid for is a powerful temptation to corporations.
Intellectual property is a scam, the term was invented to convince dumb people that a government-granted monopoly on the expression of an idea is the same thing as “property”.
You can’t “steal” intellectual property, you can only infringe on someone’s monopoly rights.
That is absolutely 100% a completely insane position. The fact that you feel entitled to literally everything someone else creates it’s fucking horrific and you are a sad person.
For someone who bitches all over this thread about people strawmanning their position, this is a pretty fucking great reply.
Hint: one can be pissed about people throwing around the not-based-in-legal-reality term “intellectual property.” One can be pissed about people using it as part of a strategy to purposely confuse the public into thinking that copyright infringement is the same as theft, a strategy which has apparently worked mightily well on you. One can be all of those things, and yet still feel that copyright infringement is wrong and no one should be entitled to “literally everything someone else creates.”
What you posted was a textbook definition of a straw man.
One can be pissed about people using it as part of a strategy to purposely confuse the public into thinking that copyright infringement is the same as theft
No, you have it wrong, one is part of a strategy to confuse the public into thinking it’s not, because it justifies doing whatever they want.
still feel that copyright infringement is wrong and no one should be entitled to “literally everything someone else creates.”
But they don’t feel that copyright infringement is wrong. How closely did you read the previous statements?
They literally said “Intellectual property is a scam”. I don’t know how else you could possibly interpret that
Imagine if startrek was written with IP in mind. Instead of all these wunderkinds being all gung ho about implementing their warp field improvements on your reactor you’d get some ferengi shilling the latest and greatest “marketable” blech engine improvements.
Fiction is much better without reality leeching in.
Star Trek was set in a future utopia. One of the key things about the show is that it’s a post-scarcity world where even physical objects can be replicated.
They definitely wrote the series with IP in mind… in that their view of a future utopia was one where not only did copyright etc. not exist, but nobody cared much about the ownership of physical objects either.
This feels like an easy statement to make when it applies to Disney putting out new Avatar movies. Then, suddenly, you realize how extensively it causes problems when you’re a photographer trying to get magazines to pay for copies of the once-in-a-lifetime photo you took, instead of re-printing it without your permission.
“InfORMaTioN wANts tO Be FrEe, yO.”
Then, suddenly, you realize how extensively it causes problems when you’re a photographer trying to get magazines to pay for copies of the once-in-a-lifetime photo you took
That’s a pretty specific example. Probably because in many cases photographers are paid in advance. A wedding photographer doesn’t show up at the wedding, take a lot of pictures, then try to work out a deal with the couple getting married. They negotiate a fee before the wedding, and when the wedding is over they turn over the pictures in exchange for the money. Other photographers work on a salary.
Besides, even with your convoluted, overly-specific example, even without a copyright, a magazine would probably pay for the photo. Even if they didn’t get to control the copying of the photo, they could still get the scoop and have the picture out before other people. In your world, how would they “reprint” it without your permission? Would they break into your house and sneakily download it from your phone or camera?
This is the kind of situation I’m citing:
A lot of photography is not based on planning ahead before being paid (a person requests Photo X, and then pays on delivery). Nature photographers, and in fact many other forms of artists, produce a work before people know/feel they want it, and then sell it based on demonstration - a media outlet notices their work in a gallery or on their website, and then requests use of that work themselves.
The struggles of the above insect photographer are even with the existing IP laws - they only ask for fair compensation from what they’ve put so much effort into, and VERY MANY media outlets don’t bother; to say nothing of giving a charitable donation.
