"How to identify original works by artists? How to attribute works generated by AI intermediaries? How to remunerate authors whose works have been used? How to manage opt-outs for artists who refuse their content to be used by AI? These are the questions that require a review of the copyright directive in light of generative AI,” says Mireille Clapot, the Member of Parliament leading on the opinion and President of France’s National Assembly’s High Commission for Digital and Posts (CNSP).
Although Clapot and her colleagues welcome the AI Act, they believe the Copyright Directive will have to be amended because of the recent technological developments in AI.
If you are not engaging with my main argument: personal and intimate relationship between art and artist, I don’t really see a point in conversation. And I think that an individual does also have right to be protected from society.
I don’t value your main argument.
I think the needs of the many outweigh the feelings of the artist.
It’s the next level of the death of the author. The authors connection to the work is irrelevant compare to the readers.
Give the artist a reasonable time frame to earn some money off their work if they want and let it go free.
And if the whole world’s singing your songs And all of your paintings have been hung Just remember what was yours Is everyone’s from now on
And that’s not wrong or right But you can struggle with it all you like You’ll only get uptight
