Neuromancer being made by a MegaCorp is somewhat ironic
Predestination, an Australian movie based on Robert Heinlein’s “All You Zombies…”
One of the things I like about this movie is that it’s set in Heinlein’s “futuristic” version of the 1970’s, not the 1970’s we got.
If they do Neuromancer right, it’ll have pocket sized VCR machines and the televsion screens will be grwy, not blue.
Hope so! Shadowrun, which is basically Gibson’s sprawl plus magic, set in the 2050s in original editions from around 1990 -
Later editions added wireless computer connections to keep up with present technology, but wifi just doesn’t feel cyberpunk, so they later added some weird lore reason to go back to needing to plug in, for recent editions. Good change.
I LOVE Shadowrun, but it would be so criminally expensive to do (and do well) as live action that I would be genuinely worried if someone tried.
Henson could do it.
But it would mean that Disney would have to buy it first.
Read [or reread] “Damnation Alley” by Roger Zelazny. You could argue that it’s the original ‘punk’ science fiction novel. A hard bitten Hell’s Angel is chosen to drive across the post-atomic wasteland to deliver a life giving serum to the last city on the East Coast.
When I think about it, I decide that the Atomic War took place circa 1970 and keep all the background details in that era.
I have high hopes. Everything I’ve watched on Apple had been terrific.
Foundation, For All Mankind is an excellent alternate history, Constellation is starting out strong, Severance is one of my favorite psychological thriller, Monarch was a pretty good Godzilla show, Silo was fucking excellent Fallout esqe show, and the first season of Ted Lasso was pretty good.
I disagree. The production value of Foundation was terrific. The pacing was slow and boring, and the story was drastically changed. Neuromancer doesn’t have enough content for a show, which means Apple writers are going to be writing most of it, and that’s a scary proposition for those of us who love the original work.
I think Apple has produced some of my favorite series, but there have been stinkers. Foundation was a snoozefest and See wasted some good world-building on a meh storyline and cringe characters. I didn’t last two episodes of Shrinking.
Very interested in how much money they’re willing to throw at this. The broad strokes plot of Neuromancer makes for a pretty compelling heist story, but it’s a heist that takes place in space, mostly from the perspective of cyberspace, and all of it reads like it would cost a lot of money to recreate. It’s also near certain that all of the subtext is going to get scrubbed out of the show, because Wintermute is the kinda dangerous AI that spooks people, and to my understanding Apple doesn’t like negative portrayals of AI.
It might have some pretty visuals, but it’s hard to trust Apple to make anything punk.
Remember Johnny Mnemonic with Keanu Reeves? The original short story takes place in the Neuromancer universe. I loved that movie.
I once spoke with William Gibson when he came to my city for a book club and told him about it. He said he really didn’t like the movie and it turned out into what he considered a joke. It really surprised me.
It doesn’t take place in the Neuromancer universe, whatever that means. It was an homage to the book, inspired by it, but that’s where the similarities end.
What could be more cyberpunk than Apple™️? It’s one of the worlds most powerful corporations, they have suicide nets for radically mistreated employees and normalized hyper invasive marketing, anti consumer consumerism, and put it in all your pocket so it can literally predict/shape your thoughts!
I hated the movie ‘Starship Troopers’ when it came out because it changed everything in the book. Now I can look at it on its own merits.
I noped out of ‘Foundation’ because it was getting further and further from the books. On the other hand, I did like the Emperors’ story line and the idea of a neverending series of clones.
We could spned a few months dissecting “Do Androids Dream Of Electric Sheep” vs. “Bladerunner.”
Not a fan after how they fucked up Foundation.
Foundation is pretty good, it’s an adaptation of unfilmable series and I understand choices that had to be made. Back in the day I was willing to die on Tom Bombadil shaped cross but since then have learned to enjoy different takes on established stories.
“You killed my child.”
“No, I killed someone else’s kid, they just had your kid’s name.”
“So we agree you killed a child?”
Also, people that say that Foundation was unfilmable are just parroting what others have said. If it had been done by someone with any talent, it would have been just fine. Instead they gave it to a milquetoast superhero writer/director. Dune is a great example of a property that really should only work as a book, but it’s directed by someone who gives a shit and has vision.
Totally agree. I was put off by it at first, but I forced myself to pretend it was new IP with similar character names, and now I love it. It’s a very well-made show with excellent acting, gorgeous set design and beautiful cinematography.
I implore folks to just watch it like it’s not based on any books.
The problem for me is that I’ve read the entire series a few times and kept getting blue balled by the fake cliff hangers. I really wish we could have had Prelude and Forward before jumping straight into it.
Virtually everything that they added to Foundation made the show good and all the stuff that’s pulled from the books drags the rest down.
And it really only seems to be fans of the books who aren’t able to separate the two works who hate Foundation. I think everyone I know who watched the shoe but didn’t read the books loves it.
In this case, you might be the thing that needs to change, not the show they made.
The fact that book-readers don’t like the TV show isn’t some failure to conceptualise on their part - it’s because Foundation is a below-average TV show and a terrible book adaptation. The Foundation series is an examination of the social and political forces that shape society on the scale of millions of people and hundreds of years. But none of the science and politics that underpins Foundation comes through in the TV adaption. In the books, Hari Seldon is just a scientist, but in the show he becomes more like magic wizard man\Jesus allegory, while Salvor Hardin (who is mostly a politician in the books) ends up as a low-rent space action hero.
The fact that the series doesn’t directly follow the books isn’t the problem, because a 1:1 adaption of the book probably wouldn’t make for good TV, it would feel dated and dry. I generally like it when an adaption has a new, original spin on the material. The problem is, Foundation isn’t a good show on its own terms, it’s a shallow-but-flashy science fiction soap opera with thin characters and an overarching plot mostly driven by pointless mystery boxes and stupid coincidences. It never engages with the political and sociological ideas presented in the novels, but it also provides no new ideas to replace them. The whole experience feels empty and meaningless.
In your post, you don’t just say that you like it, you’re actually implying that you think the people who prefer the books are wrong, and that they have a lesser understanding of the material than you. So I ask you: what is the foundation TV show actually about?
See, I disagree. They ruined it with the stuff they added, and they completely changed the premise of the books. The books aren’t about people, they’re about predictions playing out over thousands of years. The show is about people, and not very believable or interesting ones at that.
And that predictions stuff is boring but the empire clones stuff is kind of interesting.
Regardless it’s a good tv show. If you hadn’t read the books you wouldn’t care about the “predictions over thousands of years” stuff.