With regard to the MCs having game interfaces:
Maybe he’s been working hard in making anime for so long, bless him, that he doesn’t empathize with those who grew up playing MMORPGs, which is where that comes from.
Who knows, maybe in a few years we’ll have light novels/manga/anime based on mobile gaming tropes to pander to those who grow up playing those.
I mean we have Blue Archive, Touken Ranbu Kan, Mahjong Kan, which are all mobile game adaptations this season already
But those are direct adaptations instead of exploiting some trope that’s common in all mobile games, like “My Gacha Lootbox Ability Gives Me SSS Rare Girlfriends Every Time”
I don’t think it’s about “everyone”. It’s about production companies picking what’s popular, the currently popular theme, and produces shovelware standard-productions in a narrow, uninspired target-audience checkboxing way. They contract producers and creatives, but restrict them and likely invest so little that it ends up with what it is. The industry as a whole, many titles, end up as forgettable, mediocre, similar shovelware.
Much like Hollywood produced an abundance of hero movies until everyone was sick of it. Or how EA produced the same sports game each year. Or Call of Duty. Or Battlefield.
I agree with there being a lot of sub-par and mediocre productions, and the overpowered, harem, and video game elements are big offenders and indicators of what most of the time end up as bad products.
I enjoyed Reincarnated as a vending machine. Simple formula, very forced, but hilariously absurd.
Most overpowered protagonist anime end up between bad and awful. But The Eminence in Shadow makes use of it as poignant satire. And I remember seeing another series where they made it work through enemy hybris, and the punishment/revelation was satisfying enough that it worked, in large part through direction and production quality.
The most “wtf” regarding isekai I recently saw was when the entire series was not about being an isekai, but - not at the begining nor end - they put a random scene in where the protagonist had a vision from modern Japan city and was like “what is this about?” and that was it. Maybe they included it just so it can have the isekai product tag? I have no idea.
Coming back to the original theme and hypothosis, the differentiation of and popularity of fantasy vs isekai escapism is interesting.
Ghost in the Shell is certainly fantastical. Enjoying or viewing or getting invested in fantastical stories is inherently partly escapism too. Isekai specifically puts a - most of the time - normal modern human into a fantastical setting though, materializing escapism as a fact on the protagonist.
I’m not sure there’s such a hard line to draw though.
Hate is such a strong word. But yes. The real world can get really tiring sometimes.
With that out of the way, off to my tangent. There’s probably two parts to explaining why there’s a lot of isekai works out there.
It is easy to write. It’s easy for the writer to basically insert themselves into their works. That way, they would have a far easier time working through the main character’s motivations, actions and reactions. Isekai also makes it easier for the writer to worldbuild. They can just do an anything goes setting with a god who specifically made the world in whatever way that’s most convenient to the writer. That is, lazy writing. That is not to say this means all isekai is bad, but rather, since it’s easy to write, there’s bound to be a lot of people who’d give it a go.
It’s easy to read. A lot of the isekai works I’ve read so far has been the type where I can just check out my brain at the entrance and dive in. A lot of this has to do with the kind of isekai I read, but with a setting that’s anything goes, and an MC that I can relate to, I can easily snuggle into the work and pretend. Yes, it’s escapism, and I don’t think the genre as a whole has any pretentions otherwise.
As far as I’m concerned, isekai as a genre is like potato chips. It’s unhealthy, even not that interesting culinarily, but it’s also something I would love to indulge in from time-to-time. Add to that a tub of vanilla ice cream as a dip (probably a hot take) and I’m set for a relaxing night watching isekai. (Of course, the next morning, I’m back to the real world and all its shit).
On one hand, I understand and agree with some of his points, on the other hand: yes
Yeah, the real world is pretty mid
the real world is pretty great if you make good choices.
but it’s a lot easier to make crappy choices, like watching Isekai and never going outside. living in a escapist fantasy bubble and eating doordash is a fasttrack to being miserable.
A lot of choices are made for us. People who think it’s down to only choices probably ignore all the luck and privileges they experienced. I could have been born in much worse circumstances than I was, and that would not have been due to any choice I made. Children dying in war zones made no choices to get there.
