17 points

ohno my copyright!!! How will the publisher megacorps now make a record quarter??? Think of the shareholders!

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48 points

That’s not the take away you should be having here, it’s that a mega Corp felt that they should be allowed to create new content from someone else’s work, both without their permission and without paying

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-10 points

Lemmy sure loves copyright and intellectual property once you change who the pirate is.

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-3 points
*

The current top whipping boy is AI, apparently. “AI must be bad” is the highest level assumption, so apparently even in this piracy community that overrides the usual “copyright must be bad” assumption.

Or is it actually “Meta must be bad?” I’ve lost track of who the Five Minutes Hate is supposed to be directed at lately.

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30 points

Almost like the context matters and the world isn’t entirely made up of black and white binary choices because we’re not robots or computers and discrete logic does not apply to human moral arguments.

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6 points

That’s like saying everyone should let people enjoy their kinks and you come in and say "aha, then pedophilia is allowed, ya?

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1 point

Ralph Waldo Emerson:

A foolish consistency is the hobgoblin of little minds, adored by little statesmen and philosophers and divines." His point was that only small-minded men refused to rethink their prior beliefs.

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17 points

ok, fair; but do consider the context that the models are open weight. You can download them and use them for free.

There is a slight catch though which I’m very annoyed at: it’s not actually Apache. It’s this weird license where you can use the model commercially up until you have 700M Monthly users, which then you have to request a custom license from meta. ok, I kinda understand them not wanting companies like bytedance or google using their models just like that, but Mistral has their models on Apache-2.0 open weight so the context should definitely be reconsidered, especially for llama3.

It’s kind of a thing right now- publishers don’t want models trained on their books, „because it breaks copyright“ even though the model doesn’t actually remember copyrighted passages from the book. Many arguments hinge on the publishers being mad that you can prompt the model to repeat a copyrighted passage, which it can do. IMO this is a bullshit reason

anyway, will be an interesting two years as (hopefully) copyright will get turned inside out :)

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4 points

I really have to thank you for an educated response

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32 points

I do wonder how it shakes out. If the case establishes that a license to use the material should be acquired for copyrighted material, then maybe the license I’m setting on comments might bring commercial AI companies in hot water too - which I’d love. Opensource AI models FTW

CC BY-NC-SA 4.0

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9 points

That license would require the AI model to only output content under the same license. Not sure if you realize, but commercial use is part of the OpenSource definition:

https://opensource.org/osd/

Your content would just get filtered out from any training dataset.

As for going against commercial companies… maybe you are a lawyer, otherwise good luck paying the fees.

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48 points

Nationalize AI or tax it to fund UBI, and none of this is an issue.

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13 points
*

Best idea I’ve heard in a year. Automation should benefit humanity as a whole.

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4 points

In the age of the internet, nothing is truly yours.

Just look at NFT’S

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12 points

How are NFTs relevant?

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3 points

They were supposedly anchors to claim ownership of things in the real world.

CC BY-NC-SA 4.0

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2 points

They sold snake oil nothing else.

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3 points

Marking all your comments CC BY-NC-SA is a good bit.

The point of NFTs (beyond the pyramid scheme) was to enforce artificial digital scarcity at the individual level

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5 points

They’re fancy receipts, and if people thought of them as just that it might be a technology with some limited non-monetary uses. But, the crypto grift was too strong.

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5 points

they aren’t, except perhaps as a counterexample of some dubious sort

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-8 points
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What a bunch of losers, thinking they are making the future…… by stealing from as many artists as they can? How do you convince yourself you are doing the right thing when what you are doing is scaling up the theft of art from small artists to a tech company sized operation?

And how much oxygen has been wasted over the years by music companies pushing the narrative that “stealing” from artists with torrenting is wrong? This is so much worse than stealing (and a million times worse than torrenting) though because the point of the theft is to destroy the livelihood of the artist who was stolen from and turn their art into a cheap commodity that can be sold as a service with the artist seeing none of the monetary or cultural reward for their work.

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3 points

What a bunch of losers, thinking they are making the future…… by stealing from as many artists as they can?

Are you aware of which community this is posted in?

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1 point

I didn’t realize at first, my bad. I realize that makes a lot of my post redundant but I think my point still stands.

So much hypocrisy that a massive corporation can actually steal like this and it is more socially acceptable than torrenting.

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5 points

And that’s the issue I in particular have. It’s a double standard and not only that, they’re using it to generate money for their own tools

It’s not the same as some kid pirating photoshop to play around with, or a couple who is curious about GOT and want to watch it without paying HBO.

This is a separate issue and I hate that this place is so reddit like that trying to talk about it gets “hurrr dur I guess you’re mad because AI and meta are just the current hate train circle jerk hurrr i form my own opinions hurr”

Like, no, I’m upset because this is a whole new topic of piracy use.

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7 points

Meta stealing intellectual property and utilizing it for corporate gain is not the same as normal users pirating content. They are so far apart that it warrants its own discussion and cannot be lumped in together.

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8 points

Did you just make a contradictory argument for both sides?

Is your distinction that piracy by individuals gives cultural recognition while that of corporations doesn’t?

If you think piracy is warranted, at the cost of artists/creators, how is a generalized AI that makes it available and more accessible as a cultural abstracted good different?

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0 points
*

Because I don’t see a strong argument for piracy coming at a direct, immutable cost to artists. I also don’t see a strong argument that piracy reduces the chance fans will pay for art when the art is made decently easy to purchase and is being sold at a reasonable price. Of course there are complexities to this discussion but ultimately when you compare it to massive corporations wholesale stealing massive amounts of works of art with the specific intention of undercutting and destroying the value of said art by attempting to commodify it I think the difference is pretty clear. One of these things is a morally arguable choice by one individual, the other is class warfare by the rich.

Joe shmo torrents an album from a band they like, maybe they buy the album in the future or go to a band concert and buy merch. Joe shmo hasn’t mined some economic gain out of a band and then moved on, Joe shmo has become more of a committed fan because they love the album. Meta steals from a band so that they can create an algorithm that produces knockoff versions of the band’s music that Meta can sell to say a company making a commercial who wants music in that style but would prefer not to pay an actual human artist an actual fair price for the music. These are not the same.

(AI doesn’t create convincing fake songs yet necessarily, but you get my point as it applies to other art that AI can create convincing examples of, books and writing being a prime example)

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3 points

I’m going to imagine it’s because that cultural abstracted good is then put behind a pay wall, which OP will theb also pirate, thus fulfilling the prophesy.

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