TL;DR:
Semple, a multi-disciplinary British artist, promised to build “a brand new suite of world-class design and photography tools, with an uncanny similarity to the tools you’ve been indoctrinated in.”
“There’s a really urgent need for a suite of creative tools for creators that they actually own rather than rent. In a way, this first started when Adobe and Pantone decided to paywall the Pantone colors and I created Freetone — which was a free color plugin so creators could continue to access their palette,” he says.
“I have lawyers, and I’ve taken advice. We have solid plans in place. I would also point out that nobody has seen the final branding and no software that infringes on any of Adobe’s trademarks has been produced,”
“I have successfully challenged IP owned by Tiffany and Co, Pantone, Mattel, and others over the years. I feel we have a good and thorough understanding of where the legal line is and an ability to get as close to that as possible without overstepping it.”
Oh look, i dropped my 🏴☠️
Getting harder and harder these days, though. Hard to find a trustworthy source, and when you do you basically have to airgap the application to ensure that Adobe can’t weasel in a phone home call and flag the software as illegitimate. And they are integrating an increasing number of AI tools now that will simply not function if the application can’t connect.
I still have a “discounted” copy of Photoshop CC 2016 on a 10-year-old MacBook that I’ve been using. But the computer itself is on its last legs and I don’t think I can rely on it much longer. When it goes, I’ll probably have to look into other options.
I’m highly sceptical of this shipping in a state that can compete with Adobe at the end of it all. The branding itself is asking for trouble, which is just plain stupid if you are serious about long-term and sustainable development of the whole suite, and 180k is not enough to even put together a competent alternative to Illustrator, not to mention Photoshop and InDesign.
And before people start claiming that you can fund this by outsourcing to Eastern Europe / India etc, please bear in mind that you usually get what you pay for. A competent developer with enough experience to actually make this happen won’t come cheap, and opportunistic juniors with big ambitions won’t deliver.
I wish this project all the luck it can get, but I’m personally banking on Graphite and Inkscape from the FOSS world and Affinity suite from (as of yet) less corpo commercial offerings.
Case in point. I’m still waking up and thought that said adobe is taking on adobe
Same, actually! And that happened even after I had my morning coffee too.
I especially like how “legal issues” is not even in “Risks and challenges” section on Kickstarter.
What can possibly go wrong?
It took until reading your comment and then going back to check the title again for me to realise it didn’t say Adobe twice.
and opportunistic juniors with big ambitions won’t deliver.
Have you ever heard about photopea.com? Made by ONE guy.
I’ve never heard of that project, looks pretty cool! To be clear, I do not say that “one guy” cannot possibly make great software. Passion projects are a thing. What differentiates them from the Abode situation, in my opinion, is that passion projects rarely have strict deadlines and paying backers who expect software that is Adobe-level in terms of quality and polish in a roughly 1 year.
To be honest if this was released on 1st of April, it would have been a perfect prank. I don’t think it’s realistic the buy once, own forever approach if you don’t have any other source of income. Like Blackmagic has with their hardware so they can afford to do a buy once type of deal with Davinci Resolve.
A more realistic approach would be like Affinity where you buy every major release, every 3-4-5 years.
Even if I agree with him 100% and I switched to Davinci/Affinity, the whole branding and naming feels like a well made shitpost and I cannot take it seriously.
Just to add in here, a few years back I decided to make a project to cut adobe out of my life.
I wanted to start by giving all the FOSS tools a go first.
In the end, I decided none of them were up to scratch. Inkscape is clunky AF, gimp is a PITA, darktable was pretty clunky but usable.
In any case I landed on the affinity suite for a PS, Illustrator, and InDesign alternative, and I got very cheap / free versions of Skylum Luminar for Lightroom although that’s going to shit with every release.
DaVinchi for video editing. Not yet found a competent replacement for AE.
The only open source replacement for Adobe that really works for me is Audacity. And that’s probably more because I’m not a very advanced audio editor compared to my demands when it comes to photo and video editing tools, rather than an actual statement on the quality of the tool itself.
I actually really like Darktable. It took some time to get used to, but I bounced from Lightroom to Apple Photos to Darktable as Image editors. Unlike the others, I feel no need to leave Darktable now that I’m used to it.
I think darktable is one of the better alternatives for Adobe software.
A couple of years ago, I took a Lightroom workshop and did all the tasks with darktable. I was amazed at how similar it actually is and I managed to keep up with the workshop, even though I didn’t use darktable nor Lightroom before.
I actually prefer Krita over GIMP, even for photo editing. I can’t stand how bad stylus support with GIMP is and I much prefer Krita’s UI. I wish Krita would focus on areas beyond drawing more, as Krita is quite close to being a good program for editing photos in my opinion.
I have never used Adobe’s or Affinity’s products though, as they aren’t available for Linux and are therefore not an option for me. I would probably consider them, but those companies apparently decided that I am not worth their business.
In my opinion Paint.net is a lot better than Gimp. Tried both and the former has given me a much more pleasant time.
Yeah, that this is a name and logo that they even entertained for half a second is pretty strong evidence that they’re not up to this challenge. This is like starting a law firm and calling it “Buttfuckers”. No one is going to take you seriously, and you not seeing the problem means they shouldn’t.
Just fyi engineers in every other part of the world are as good or better than Americans or whatever you may consider “developed” countries. I’m not in love with outsourcing considering I’ve lost my job to it a couple times. But it’s not because the devs across the world aren’t fantastic amazing people.
They have managed to build software suites that have been stable, consistent, and near the cutting edge of their industry for decades while avoid significant bloat and legacy hangover.
Are we talking about the same Adobe here? Adobe software generally does work but avoiding bloat? Have you installed Reader lately? They have their share of instability as well.
While your skepticism is valid, it’s important to consider that competition doesn’t solely rely on branding but also on innovation, user experience, and pricing. The concerns about funding and developer quality are legitimate, but success can be achieved by striking the right balance. While alternatives like Graphite, Inkscape, and Affinity have their merits, it’s worth keeping an eye on emerging projects as well. For a broader perspective on outsourcing development, this article on IT outsourcing in Europe (https://www.cleveroad.com/blog/it-outsourcing-europe/) can provide insights into potential options and considerations for ensuring competent and successful development, addressing some of the concerns raised.
TL;DR:
Semple, a multi-disciplinary British artist, promised to build “a brand new suite of world-class design and photography tools, with an uncanny similarity to the tools you’ve been indoctrinated in.”
“There’s a really urgent need for a suite of creative tools for creators that they actually own rather than rent. In a way, this first started when Adobe and Pantone decided to paywall the Pantone colors and I created Freetone — which was a free color plugin so creators could continue to access their palette,” he says.
“I have lawyers, and I’ve taken advice. We have solid plans in place. I would also point out that nobody has seen the final branding and no software that infringes on any of Adobe’s trademarks has been produced,”
“I have successfully challenged IP owned by Tiffany and Co, Pantone, Mattel, and others over the years. I feel we have a good and thorough understanding of where the legal line is and an ability to get as close to that as possible without overstepping it.”
Creating a new design is always an arduous task. I like how you discussed a British artist Semple. His aim is to create new design and photography tools in competition with Adobe. I think that the competition in the startup area is so high that you can’t relax even for a minute. Plus I liked how you addressed concerns with regard to legal issues and the importance of innovation and competition in tech startup ideas. As we talk about startups and raising capital I advise you to look at this article about tech startup ideas. The most popular niches for growing startups for now are Artificial Intelligence, Telehealth and Virtual Medical Services, and Remote Working. EdTech Startup, Biotech Startups, and IoT startups.
He’s right, Adobe’s grip on users is bullshit. I just doubt that he’s gonna be the guy to fix it.
Oh, it’s that guy. The “Semple vs Kapoor” stuff was funny.
Before I recognized who was doing “abode” I was going to say that name was just asking for trouble, but yeah, he knew what he was doing.
Great idea, but the money they have is barely enough to make a dent in the development scope they are aiming for.
